Jackie McMenaman did not take the road less traveled to becoming a dancer or a teacher. Beginning her athletic career as a pint-sized swimmer taking to the water as physical therapy for a broken collarbone, she soon realized that kick-boards and swimming lanes did not inspire her creativity. Opting to get artistic in the water led to synchronized swimming which was supplemented by ballet classes. Not long thereafter, Jackie realized her love (and the greater long term career potential) of being in the dance studio. Henceforth, Olympic dreams were swapped for pointe shoes and a new passion blossomed.
Jackie’s dance education began on scholarship with her local studio, and was later supplemented with scholarship opportunities from Montana Dance Arts Association, Ballet West, Summer Dance Laboratory, and others. In college, she owned and operated her own ballet studio where she honed her teaching skills and had the privilege of instilling a love of dance in her students. Upon moving to the Denver area, she joined the ranks of David Taylor Dance Theatre, later Dawson Wallace Dance Project, where she performed as a mainstay and a principal dancer for over twelve years. During that time she was personally mentored by the renown ballet master Nikoloz Makhateli, whom she credits with her technical and artistic development.
Jackie has also performed with Gravity Works Dance, Zikr Sacred Dance Ensemble, Summit Dance Collective, Chadash Contemporary Dance Movement, Fox Theatre Productions, Montana Ballet Company, Colorado Renaissance Festival and Delusions of Grandeur Productions. Favorite roles include the Dewdrop Fairy and the tipsy maid in DTDT’s Nutcracker, the nymph in Makhateli’s Morning in a Field, and the beatnik girl in Jeoff Horgan’s Cheek to Cheek.